Many of us started out in other careers and came to editing via circuitous routes. Some of us were teachers; some were engineers; some were writers who drifted into the editing side of the industry. In some cases, we had jobs that required us to fix other people’s work on …
Editors Canada’s Professional Editorial Standards (PES) describe the responsibilities of an editor. The scope of PES is broad; this series explores how the standards apply to a variety of editing contexts. I’ve always found the granularity of PES daunting; I’m more inclined to “find the voice and let it sing.” …
If you’re a Gmail user, you may have adopted its new Smart Compose feature. This perplexing time-saver has made me question the future of communications since it appeared in my inbox. Smart Compose uses machine learning to help users write faster, clearer emails by anticipating what they’re trying to say …
The voting is in, and the American Dialect Society’s Slang Word of the Year is… yeet. Yeet is not so well known to oldsters, but it is in vogue among the youth. Its popularity demonstrates a central fact of how vocabulary spreads. It also leads us to Bugs Bunny, Clark …
In memory of Karen Virag, who passed away on Jan. 11, 2014, we are pleased to republish one of her popular blog posts from February 2013. I are confused, aren’t I? Have you ever wondered why we say, “He is, isn’t he?” and “She is, isn’t she?” but we don’t …
It’s time for our Year in Review! Check out our list of posts from 2018 and tell us your favourites in the comments. Have you ever thought of writing an article for the Editors’ Weekly? We’re looking for articles on the following topics: How you got started as an editor …
Have you noticed how Christmas is sneaking back into respectability? Three decades ago school Christmas concerts and office Christmas parties began to disappear in apparent deference to multiculturalism. Even the word for this feast was proscribed. I promptly fell into line. Everyone should feel welcome, and I acknowledged that Christianity’s …
This post is part of a new series of case studies by and for in-house editors. The focus of this series is on the personal experiences and various roles of in-house editors. A post will appear on the Editors’ Weekly every other month. If you’re interested in writing a post for …
Part 3: Suzanne Steele, Librettist and Multimedia Artist In 2012, the Calgary Philharmonic Orchestra and One Yellow Rabbit theatre company commissioned Suzanne Steele to write the libretto for Afghanistan: Requiem for a Generation. Suzanne’s work with composer Jeffrey Ryan is one example of the collaboration she has pursued in her …
Editors Canada’s Professional Editorial Standards (PES) describe the responsibilities of an editor. The scope of PES is broad; this series explores how the standards apply to a variety of editing contexts. Ellen Lupu has been a technical editor for 12 years. Her current project involves writing and editing training material …