This week, the Editors’ Weekly is holding a conversation with Sangeeta Mehta on the current state of diversity in publishing and how editors can be leaders in the fight for inclusion. About Sangeeta Sangeeta Mehta has worked in the book publishing field since the late 1990s. She has been an …
I received the Claudette Upton Scholarship* in 2012 at a critical point in my career path: I was nearing the completion of my Master of Publishing coursework at Simon Fraser University and preparing to move from Vancouver to Toronto to take on a summer editorial internship at McClelland & Stewart. …
When I first heard about The Complete Canadian Book Editor, I couldn’t help but be intrigued by the notion of a “complete” resource on book editing. I edit the works of self-publishing authors, so my knowledge of the world of traditional book publishing is limited — gained mostly through conversations …
We editors talk at length about different kinds of editing and who does what, and we generally assume that we’re working on a text written by someone else. Together with the author, we massage the content, the structure and the presentation into the best possible shape for its intended readers. …
In Part 3 we discussed how editors determine costs. And before you scoff at or otherwise leap to judgment of the rates, it’s probably pertinent to mention another facet of this — it’s a generally accepted rule that whatever hourly rate a freelancer settles on, you can estimate their annual …
Now we arrive at the crucial topic of cost, and the seemingly arbitrary variations in same. Some editors are so brilliant that they really can and do charge top dollar. I know someone who can quote $5,000 for editing an 80,000-word manuscript. Before you gag on that, bear in mind …
Okay, after Part 1, you should now have the MS nice and clean. What’s the next step? How do you find an editor? This part isn’t hard, but it’s crucial you find someone who’s right for your book. And there’s no substitute for research. Ask around. Google. If you haven’t …
As an independent writer myself and a passionate believer in the indie ethic, I have to acknowledge one of its major downsides: a real or perceived shoddiness in the final product of self-published authors. Which is where I now switch hats and replace the bohemian beret of the writer with …
Every publisher who has hoped for a large U.S. audience has asked me to edit to U.S. spelling standards. You know, drop the dipthongs (oe and ae), omit the u from ou pairs, use z instead of s, allow only one consonant before adding an ending… They seem to think …
I teach Creative Writing in the continuing education programs at both Ryerson and the University of Toronto. My students know that I also work as a freelance editor, so they often ask me whether they ought to hire one. Sometimes they even want to hire me, but generally I refuse. …