Over the summer, when many writers’ events were cancelled due to the pandemic, I was heartened to learn that a few created for writers from marginalized backgrounds continued as planned, but online. Here is the brief list I had compiled of events to attend over the summer and fall. I …
Last month, I had been scheduled to speak at the Editors Canada conference about how developmental editors can help writers balance cultural sensitivity with craft. It would have been an incredible experience to exchange ideas with other editorial professionals who also want to work more effectively with writers whose culture …
Rhonda is a settler/Dene research, writing and editing consultant. She is dedicated to increasing the inclusion of underrepresented communities in Canadian literature. A founding member of the Indigenous Editors Association, she specializes in editing manuscripts by and about Indigenous Peoples. As editor of Write, The Writers’ Union of Canada magazine, …
This week, the Editors’ Weekly is holding a conversation with Sangeeta Mehta on the current state of diversity in publishing and how editors can be leaders in the fight for inclusion. About Sangeeta Sangeeta Mehta has worked in the book publishing field since the late 1990s. She has been an …
I received the Claudette Upton Scholarship* in 2012 at a critical point in my career path: I was nearing the completion of my Master of Publishing coursework at Simon Fraser University and preparing to move from Vancouver to Toronto to take on a summer editorial internship at McClelland & Stewart. …
When I first heard about The Complete Canadian Book Editor, I couldn’t help but be intrigued by the notion of a “complete” resource on book editing. I edit the works of self-publishing authors, so my knowledge of the world of traditional book publishing is limited — gained mostly through conversations …
We editors talk at length about different kinds of editing and who does what, and we generally assume that we’re working on a text written by someone else. Together with the author, we massage the content, the structure and the presentation into the best possible shape for its intended readers. …
In Part 3 we discussed how editors determine costs. And before you scoff at or otherwise leap to judgment of the rates, it’s probably pertinent to mention another facet of this — it’s a generally accepted rule that whatever hourly rate a freelancer settles on, you can estimate their annual …
Now we arrive at the crucial topic of cost, and the seemingly arbitrary variations in same. Some editors are so brilliant that they really can and do charge top dollar. I know someone who can quote $5,000 for editing an 80,000-word manuscript. Before you gag on that, bear in mind …
Okay, after Part 1, you should now have the MS nice and clean. What’s the next step? How do you find an editor? This part isn’t hard, but it’s crucial you find someone who’s right for your book. And there’s no substitute for research. Ask around. Google. If you haven’t …