This week, the Editors’ Weekly is holding a conversation with Sangeeta Mehta on the current state of diversity in publishing and how editors can be leaders in the fight for inclusion. About Sangeeta Sangeeta Mehta has worked in the book publishing field since the late 1990s. She has been an …
Those who read are an exacting bunch. We grew up with professionally proofread books, back when publishers could still afford to pay someone to make sure no spelling mistake got by, no errant comma, sneaky typo, sloppy grammar or lazy punctuation. We had high expectations of our reading material. Now …
Editors make decisions all the time as they edit, but the most important judgment call of all is how to work best with each individual author. No one-size-fits-all solution will do. Most commonly, editors make their corrections with track changes, write questions and comments for the author in the margins, …
The prevailing orthodoxy in online editors’ groups, I have noticed, is one of huge respect for, and empathy with, the author. The author is king/queen. We, as editors, primarily serve the author’s vision, the author’s voice. However, in my own work (both in-house and freelance, primarily as a copyeditor of …
When I heard an Indigenous style guide was being published this year, I was excited by the opportunity to learn a framework for approaching the works of Indigenous authors. I am a non-Indigenous editor — a settler — and in recent years I have become very aware of my long-standing …
Recently I was asked to speak at the memorial service for Francess Halpenny — a true powerhouse in Canadian publishing. In the course of her long life, she was head of the Editorial Department at University of Toronto Press (UTP) during its “golden years,” general editor of the Dictionary of …
We’ve all had them – those manuscripts that arrive on our desks that should not be published. They have little merit in either content or expression, and our initial impulse is to return them immediately. How do we deal with them? If the project comes from a trade publisher, the contract …
Any profession draws certain personality types to it more readily than others. But just as there’s no single lawyer or doctor or teacher type, there’s more than one editor type. Editors come in all sorts. Editors can be achievers, caretakers, managers, control freaks, idea generators, intellectuals, entrepreneurs — and are …
In Part 3 we discussed how editors determine costs. And before you scoff at or otherwise leap to judgment of the rates, it’s probably pertinent to mention another facet of this — it’s a generally accepted rule that whatever hourly rate a freelancer settles on, you can estimate their annual …
Now we arrive at the crucial topic of cost, and the seemingly arbitrary variations in same. Some editors are so brilliant that they really can and do charge top dollar. I know someone who can quote $5,000 for editing an 80,000-word manuscript. Before you gag on that, bear in mind …