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self-publishing

Those Unpublishable Manuscripts

October 11, 2016 | Filed under: Rosemary Shipton

We’ve all had them – those manuscripts that arrive on our desks that should not be published. They have little merit in either content or expression, and our initial impulse is to return them immediately. How do we deal with them? If the project comes from a trade publisher, the contract …

Crowdfunding for Writers and Editors

April 5, 2016 | Filed under: Greg Ioannou

In 2011, I switched Iguana Books from a quasi-traditional publishing model to a hybrid model: the author (or someone who wasn’t me) paid the costs of publication, and we put out professional-quality books that were distributed worldwide as e-books and print-on-demand paperbacks. It sort of worked, but there were problems: …

Vanessa Ricci-Thode

Editing Goes Global Speaker Profile: Vanessa Ricci-Thode

April 21, 2015 | Filed under: Tanya Procyshyn

With Editing Goes Global mere months away, now is the perfect time to get better acquainted with our conference speakers. This week, Tanya Procyshyn from the Editors’ Weekly caught up with “word sorceress” Vanessa Ricci-Thode by email to chat about her upcoming sessions in Toronto and the world of self-publishing. Tanya …

Stack of books

Editors and Their Clients

January 13, 2015 | Filed under: Rosemary Shipton

Editors are shaped by their clients. Sure, we all share common knowledge, skills and talents, but we’re influenced by what our employers want from us. Over a period of years, that accumulated experience makes us the editors we are today. In recent posts to this site, Lori Burwash has described …

handshake

The Editor’s Fedora Part 4

March 13, 2014 | Filed under: David Antrobus

In Part 3 we discussed how editors determine costs. And before you scoff at or otherwise leap to judgment of the rates, it’s probably pertinent to mention another facet of this — it’s a generally accepted rule that whatever hourly rate a freelancer settles on, you can estimate their annual …

woman_writing_cheque

The Editor’s Fedora Part 3

March 10, 2014 | Filed under: David Antrobus

Now we arrive at the crucial topic of cost, and the seemingly arbitrary variations in same. Some editors are so brilliant that they really can and do charge top dollar. I know someone who can quote $5,000 for editing an 80,000-word manuscript. Before you gag on that, bear in mind …

keyboard search button

The Editor’s Fedora Part 2

February 27, 2014 | Filed under: David Antrobus

Okay, after Part 1, you should now have the MS nice and clean. What’s the next step? How do you find an editor? This part isn’t hard, but it’s crucial you find someone who’s right for your book. And there’s no substitute for research. Ask around. Google. If you haven’t …

fedora

The Editor’s Fedora Part 1

February 25, 2014 | Filed under: David Antrobus

As an independent writer myself and a passionate believer in the indie ethic, I have to acknowledge one of its major downsides: a real or perceived shoddiness in the final product of self-published authors. Which is where I now switch hats and replace the bohemian beret of the writer with …

Cartoon: 2 women drink tea. One says “Your book was published! How exciting! Can I get a copy?” The other answers, “I only have one left. They are, of course selling briskly,” as she pulls out a copy of The Tearful Rose from behind a curtain where there are many other copies.

Editors and Self-Publishing Authors

June 25, 2013 | Filed under: Rosemary Shipton

As editors, we must break out of our anonymous shell and shout our virtues loudly and clearly for writers to hear. We’ve all heard the stories: a few authors who self-publish do extremely well, earning hundreds of thousands of dollars a year, while the majority have little success, bringing in …

View of a man at his typewriter from over his left shoulder. The man is 30ish, has buzz-cut hair and black-rimmed glasses.

Going Out of Style

June 18, 2013 | Filed under: Iva Cheung

It’s house style. I don’t think I fully appreciated the power of that sentence until I could no longer use it. As editors we’re constantly striving to balance the needs of the publisher, author and reader, but with the growth of self- and custom publishing, the needs of the publisher …

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