The editor’s letter — the first substantive communication you have with a client — is the most important task in any editorial project. It provides the opportunity to give your assessment, raise questions and establish a relationship. If this exchange is successful, the myriad other tasks should follow seamlessly. In …
This post is part of a series of case studies by and for in-house editors. The focus of this series is on the personal experiences and various roles of in-house editors. A post will appear on the Editors’ Weekly every other month. If you’re interested in writing a post for this series, please email …
Editors Canada’s Professional Editorial Standards (PES) describe the responsibilities of an editor. The scope of PES is broad; this series explores how the standards apply to a variety of editing contexts. Karen Conlin is a freelance editor specializing in speculative fiction and young adult fiction (YA). She does structural, stylistic …
Editors Canada’s Professional Editorial Standards (PES) describe the responsibilities of an editor. The scope of PES is broad; this series explores how the standards apply to a variety of editing contexts. Paula Sarson, an Atlantic Canadian editor and proofreader of fiction and nonfiction, has worked on several award-winning titles during …
Editors Canada’s Professional Editorial Standards (PES) describe the responsibilities of an editor. The scope of PES is broad; this series explores how the standards apply to a variety of editing contexts. I edit academic papers in preparation for submission to journals. My clients are researchers, and have usually settled the …
“I’m talking about making something less boring.” This was feedback from an Editors Canada member on a draft of the latest update to Editors Canada’s Professional Editorial Standards (PES). The 2016 update was a year-long process that incorporated feedback and comments from many members. When a draft of the new …
“Every word is gold,” my author said, “but I suppose you’ll have to shorten it.” Indeed I will: this book manuscript totals 180,000 words, and the trade publisher wants a 40 percent cut. That will be tough. Editors often need to reduce text. Newspapers, magazines, brochures, textbooks and reference materials …
We editors talk at length about different kinds of editing and who does what, and we generally assume that we’re working on a text written by someone else. Together with the author, we massage the content, the structure and the presentation into the best possible shape for its intended readers. …
One project, one editor — that’s the norm in Canada today. Only a few large trade publishers and a small number of government departments still divide editing between structural/stylistic editors and copy editors, while the rapidly dwindling group of educational publishers distinguish between developmental editing and copy editing. Almost all …
We were nearing the end of a Stylistic Editing seminar — a group of about 30 people of varying ages and experience working in-house or freelance for book publishers, magazines, businesses or governments. A woman in the third row raised her hand: “In my work I’m the only editor,” she …