For novice editors, the transitional year from student to editor is often both remarkable and overwhelming. No amount of experience and education can prepare you for the phenomenon of imposter syndrome, the tendency to undervalue your work, and the persistent fear of failure. Above all, nothing quite prepares you for …
This post is part of a series of case studies by and for in-house editors. The focus of this series is on the personal experiences and various roles of in-house editors. A post will appear on the Editors’ Weekly every other month. If you’re interested in writing a post for this series, please email …
Editors Canada’s Professional Editorial Standards (PES) describe the responsibilities of an editor. The scope of PES is broad; this series explores how the standards apply to a variety of editing contexts. I’ve always found the granularity of PES daunting; I’m more inclined to “find the voice and let it sing.” …
Editors Canada’s Professional Editorial Standards (PES) describe the responsibilities of an editor. The scope of PES is broad; this series explores how the standards apply to a variety of editing contexts. Karen Conlin is a freelance editor specializing in speculative fiction and young adult fiction (YA). She does structural, stylistic …
Editors Canada’s Professional Editorial Standards (PES) describe the responsibilities of an editor. The scope of PES is broad; this series explores how the standards apply to a variety of editing contexts. I edit academic papers in preparation for submission to journals. My clients are researchers, and have usually settled the …
“I’m talking about making something less boring.” This was feedback from an Editors Canada member on a draft of the latest update to Editors Canada’s Professional Editorial Standards (PES). The 2016 update was a year-long process that incorporated feedback and comments from many members. When a draft of the new …
I was fortunate to get my initial on-the-job training in journalism in the days when writers worked with desk editors, copy editors and proofreaders. At least three sets of eyes perused every story after it had been written, and sometimes four or five. Three or more brains worked on massaging …
Editing Goes Global is right around the corner! This week, the Editors’ Weekly is holding its final conversation with keynote speaker and editor extraordinaire Carol Saller. In addition to her keynote speech on “‘Subversive’ Editing: Or, What Bugs Editors and How to Fix It,” Carol will be co-delivering the session …
Editors use add-ins to Word to make their work faster and more consistent. PerfectIt is one of the more well-respected add-ins for Windows users, and Intelligent Editing was kind enough to provide the Editors’ Weekly with a copy of the newly released PerfectIt 3 for review. Contributor Adrienne Montgomerie has written …
We editors talk at length about different kinds of editing and who does what, and we generally assume that we’re working on a text written by someone else. Together with the author, we massage the content, the structure and the presentation into the best possible shape for its intended readers. …