When I began writing this article I knew, like most of you, that editing is an unhealthy occupation. It’s so fraught with hazards it’s a wonder anyone will sell us health or life insurance. We sit long hours, our work is mentally taxing, we stare at monitors, our physical effort …
When I started my current job managing a team of editors, I panicked. I had no idea what a manager did. Seven years on, I’ve learned a few things. Some days I feel like I’m still stumbling along, but I’d like to share some tips I’ve picked up along the …
Forty-six years ago, when I embarked on my editing career, my first assignment was to edit a 500-page novel, which the publisher plunked onto my desk along with a copy of The Chicago Manual of Style and a dictionary. “Here, edit this,” he said. That was my instruction in its …
Good stories, for me, have never been treacly. My father, an RCMP officer, put people in jail; my mother, a halfway house director, put them back into society. My childhood was one of sensational publications and limited adult supervision. By age 11 I’d read Jaws, Helter Skelter and The Eden …
I went freelance at the start of 1993, working from my house in Dublin. I didn’t have a computer till midway through that year — work arrived at first by courier or in the mail, on paper. I had some reference books and, if I was lucky, a publisher’s style …
Many of us started out in other careers and came to editing via circuitous routes. Some of us were teachers; some were engineers; some were writers who drifted into the editing side of the industry. In some cases, we had jobs that required us to fix other people’s work on …
Editors Canada’s Professional Editorial Standards (PES) describe the responsibilities of an editor. The scope of PES is broad; this series explores how the standards apply to a variety of editing contexts. I’ve always found the granularity of PES daunting; I’m more inclined to “find the voice and let it sing.” …
Part 3: Suzanne Steele, Librettist and Multimedia Artist In 2012, the Calgary Philharmonic Orchestra and One Yellow Rabbit theatre company commissioned Suzanne Steele to write the libretto for Afghanistan: Requiem for a Generation. Suzanne’s work with composer Jeffrey Ryan is one example of the collaboration she has pursued in her …
Editors Canada’s Professional Editorial Standards (PES) describe the responsibilities of an editor. The scope of PES is broad; this series explores how the standards apply to a variety of editing contexts. Ellen Lupu has been a technical editor for 12 years. Her current project involves writing and editing training material …
Being a freelancer is hard. When clients don’t have work for you, you cease to exist for them even though your livelihood depends on them or on people like them. You need to be a team player, but often you will be dropped from the team abruptly when a project …