Recognizing and affirming your clients’ strengths is one of the best ways to create a collaborative partnership, encourage their learning and boost their confidence. This comes in especially handy if you work with ESL authors, job seekers, new authors or anyone who is entering a new genre or role. Trusting …
Writing in a large organization is usually done “by committee.” That’s a challenging process at the best of times. After doing a first pass, which almost invariably contains more edits than the writers expected, I’m often asked to sit down (these days, virtually) and work though my comments with them. …
A recent move left my husband and me needing new furniture. Armed with an Ikea gift card, we chose some pieces online. Six flat-packs of furniture arrived a few weeks later, and we got cracking on assembly. As we pieced the furniture together slat by slat, dowel by dowel, I …
This post is part of a new series of case studies by and for in-house editors. The focus of this series is on the personal experiences and various roles of in-house editors. A post will appear on the Editors’ Weekly every other month. If you’re interested in writing a post for this series, please …
Part 1: Dr. Suzanne M. Steele, scholar and editor Dr. Suzanne Steele has built her career on words as a librarian, a war poet, a librettist, a teacher and an academic editor working with ESL writers who are often translating their ideas across cultures as well as languages. Virginia Durksen …
“How can you edit that? You don’t know anything about being an electrician.” I often heard that question and variations of it — carpenter, instrument technician, welder — in my years editing technical instructional materials for apprenticeship trades in Alberta. This is how I answered the question. I am the …
Like editing, solving puzzles is often a solitary endeavour. But not always! On the second Tuesday of every month, people get together in pubs across North America, Europe and beyond to solve puzzles at an event called Puzzled Pint. When I started going a few years ago, I never guessed …
Over the years I’ve done a lot of freelance fiction editing, mostly developmental. I send off the manuscripts with a critical analysis, a lot of developmental markup and some copy editing. Some of the authors go on to be published; their autographed works are on my bookshelves. Of the ones …
A Quill and Quire article popped up in my Twitter feed in late June: “Humber becomes new home for Indigenous Editors Circle.” I was thrilled that the Circle had found a home at Humber College’s Lakeshore campus in Toronto’s west end. Even better: a workshop on editing Indigenous manuscripts was …
I’ve always loved trying to understand things — investigating ideas and concepts to make sense of them, seeking clearer ways to view them. I was delighted, therefore, when I discovered that there’s a kind of editing rooted in exactly that pursuit: developmental editing. The name describes it well: you’re helping …