Editing an author calls for a blend of sharp-eyed clarity, cheerleading and hand-holding. What if the author is also an editor? As part of a series of blog posts featuring conversations between author-editors and their editors, The Editors’ Weekly asked two editors to reflect on their experience of working together. …
When a client comes to me for editing, one of my first questions is how they hope to publish. Why? Because an author who is self-publishing will use freelancers for each stage of the editing process, whereas an author who secures a traditional publishing contract will receive additional editing through …
A lot of Indigenous writing is under-edited, because many non-Indigenous editors don’t feel like they have a way in to the text and are scared of making a mistake. Other times, it can be over-edited, because the editor has shoehorned the story into a format that reflects European values and …
Working as an in-house editor often means you will be editing the work of untrained writers. You may come across colleagues who don’t want to be writing in the first place, so how do you convince them that your editing services are valuable? Sometimes you can’t. Sometimes people reject edits …
For this year’s Claudette Upton Scholarship, my fellow judges — Lenore Hietkamp and David Johansen — and I selected as our question for nominees’ reflection, “How might kindness be part of the editor’s career?” We chose this question for a number of reasons: our own current thinking about our business …
Editing a first-time author calls for a blend of sharp-eyed clarity, cheerleading and hand-holding. What if the author is also an editor? As part of a series of blog posts featuring conversations between author-editors and their editors, The Editors’ Weekly asked two editors to reflect on their experience of working …
Editing a first-time novelist calls for a blend of sharp-eyed clarity, cheerleading and hand-holding. What if the novelist is also an editor? As part of a series of blog posts featuring conversations between author-editors and their editors, The Editors’ Weekly asked two editors to reflect on their experience of working …
Recognizing and affirming your clients’ strengths is one of the best ways to create a collaborative partnership, encourage their learning and boost their confidence. This comes in especially handy if you work with ESL authors, job seekers, new authors or anyone who is entering a new genre or role. Trusting …
Writing in a large organization is usually done “by committee.” That’s a challenging process at the best of times. After doing a first pass, which almost invariably contains more edits than the writers expected, I’m often asked to sit down (these days, virtually) and work though my comments with them. …
A recent move left my husband and me needing new furniture. Armed with an Ikea gift card, we chose some pieces online. Six flat-packs of furniture arrived a few weeks later, and we got cracking on assembly. As we pieced the furniture together slat by slat, dowel by dowel, I …