I remember, at six years old, an aunty visited our house. In an attempt to make conversation with me, she turned mid-chai, and asked, “So, dear, do you know what you want to be when you grow up?” At my young age, there were no real consequences to this question. …
In this series, experienced editors reflect on their Top 3 tools, rules and suggestions for clients and colleagues. Gael Spivak works in communications for the Government of Canada, where she specializes in plain language writing and editing. An editor for 13 years, Gael has worked on topics that include food …
Jean-Paul Sartre, author of Huis Clos, wrote L’enfer, c’est les autres (Hell is other people). Maybe that’s true in a pandemic. However, in this period of social distancing and self-isolation, we still have the luxury of reading. In particular, I’m rereading the excellent book titled The Mother Tongue – English …
Is writing art? And if it is, what is editing? If we say writing is “artful,” or “artistic” or “an art,” we mean that we appreciate it aesthetically and admire it for the skill it evinces. But if we say not “writing is an art” but “writing is art” — …
“Are you a freelancer?” My answer to that question has changed over the course of my career. When I first started editing, I edited learning modules for apprenticeship trades in house at a polytechnic institution. I also wrote freelance projects for newspapers and magazines during evenings and weekends. I loved …
Background I’m an in-house editor for the Alberta Energy Regulator. Authors are required to work with our group as they move towards publishing their documents. It’s essential that we cultivate and nurture relationships of respect and trust. One element of that is always being able to rationalize and justify our …
This post is part of a new series of case studies by and for in-house editors. The focus of this series is on the personal experiences and various roles of in-house editors. A post will appear on the Editors’ Weekly every other month. If you’re interested in writing a post for this series, please email …
Because I was a confirmed reading addict when television appeared, it failed to dislodge my teenage obsession. Like Groucho Marx I found the idiot box “very educating”: “Every time somebody turns on the set, I go into the other room and read a book.” It’s been a relentless dependency. I …
This post is part of a new series of case studies by and for in-house editors. The focus of this series is on the personal experiences and various roles of in-house editors. A post will appear on the Editors’ Weekly every other month. If you’re interested in writing a post for this series, please …
Good stories, for me, have never been treacly. My father, an RCMP officer, put people in jail; my mother, a halfway house director, put them back into society. My childhood was one of sensational publications and limited adult supervision. By age 11 I’d read Jaws, Helter Skelter and The Eden …