“Are you a freelancer?” My answer to that question has changed over the course of my career. When I first started editing, I edited learning modules for apprenticeship trades in house at a polytechnic institution. I also wrote freelance projects for newspapers and magazines during evenings and weekends. I loved …
Background I’m an in-house editor for the Alberta Energy Regulator. Authors are required to work with our group as they move towards publishing their documents. It’s essential that we cultivate and nurture relationships of respect and trust. One element of that is always being able to rationalize and justify our …
This post is part of a new series of case studies by and for in-house editors. The focus of this series is on the personal experiences and various roles of in-house editors. A post will appear on the Editors’ Weekly every other month. If you’re interested in writing a post for this series, please email …
Because I was a confirmed reading addict when television appeared, it failed to dislodge my teenage obsession. Like Groucho Marx I found the idiot box “very educating”: “Every time somebody turns on the set, I go into the other room and read a book.” It’s been a relentless dependency. I …
This post is part of a new series of case studies by and for in-house editors. The focus of this series is on the personal experiences and various roles of in-house editors. A post will appear on the Editors’ Weekly every other month. If you’re interested in writing a post for this series, please email …
Good stories, for me, have never been treacly. My father, an RCMP officer, put people in jail; my mother, a halfway house director, put them back into society. My childhood was one of sensational publications and limited adult supervision. By age 11 I’d read Jaws, Helter Skelter and The Eden …
If you’re a Gmail user, you may have adopted its new Smart Compose feature. This perplexing time-saver has made me question the future of communications since it appeared in my inbox. Smart Compose uses machine learning to help users write faster, clearer emails by anticipating what they’re trying to say …
Part 3: Suzanne Steele, Librettist and Multimedia Artist In 2012, the Calgary Philharmonic Orchestra and One Yellow Rabbit theatre company commissioned Suzanne Steele to write the libretto for Afghanistan: Requiem for a Generation. Suzanne’s work with composer Jeffrey Ryan is one example of the collaboration she has pursued in her …
Editors make decisions all the time as they edit, but the most important judgment call of all is how to work best with each individual author. No one-size-fits-all solution will do. Most commonly, editors make their corrections with track changes, write questions and comments for the author in the margins, …
Part 2: Suzanne Steele, War Poet It takes courage to be a poet, although not the kind of courage needed on literal fields of battle. For two years (2008–10), Suzanne Steele was Canada’s “war poet,” the first official Canadian war artist poet to be embedded with a Canadian battlegroup — …